The Theatre of Western Springs
The Theatre of Western Springs
TWSCTWS
Mainstage 5 | June 3-13, 2004

by Agatha Christie
Directed by Tony Vezner

 

June 3-13, 2004
Thursdays, Fridays, Saturdays at 8:00PM Sundays at 2:30PM Also, Sunday, June 6 at 7:30PM Saturday, June 12 at 2:30PM

 

 . . . . . . .  About  . . . . . .

   . . . .  Notes  . . .

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Dramaturg
the author
   the play

Director's Corner
Production credits

Setting: The living room of a house on Indian Island, off the coast of Devon, England.

Cast (in order of appearance)

Rogers Kevin McGrath
Mrs. Rogers Therese Harrold
Fred Narracott David Swain
Vera Claythorne Alison Laker
Philip Lombard Rob Pold
Anthony Marston George McArdle
William Blore Terry Locke
General MacKenzie Jon Mills
Emily Brent Carolyn Redding
Sir Lawrence Wargrave Denny Wise
Dr. Armstrong Jim Hannigan


Dramaturg's Diary
By Bonnie Hilton

About Agatha Christie

Born in 1890, Agatha Christie enjoyed a very comfortable childhood, rich with opportunities for the development of her imagination. Extremely shy, her parents had her schooled at home. She immersed herself in music, theatre and poetry and became a voracious reader, often reading the same novels over and over again. Upon the death of her father, her mother took her on a year vacation to Cairo, and then moved to Paris, enrolling her in a finishing school.

Agatha fell into mystery writing quite by accident. Harboring a strong ambition to be a poet, she sent submission after submission to publishers, only to receive rejection letters. One publisher said she had a great talent for dialogue, but she must stop "moralizing." It was not until after she married Archibald Christie in 1914, and while she was learning all about poisons as she worked in the hospital dispensary during the war that she took her sister up on a dare to write a mystery.

The result was A Mysterious Affair at Styles featuring Mr. Hercule Poirot. The book took five years to fall into the hands of a publisher who would agree to print it. The year was 1921 and she was 30. A naivety about how to negotiate contracts caused her to earn only 26 pounds. She would make 10% royalty on any books sold over 2000. It sold a scant 2000 copies.

Shortly after giving birth to her only child Rosalind, her marriage began to crumble. Admidst this crisis, Agatha disappeared for 11 days. No one knows what really happened, but theories abound as to whether it was a publicity stunt or indicative of a nervous breakdown. The ensuing excitement surrounding the massive search for her caused sales of her books to skyrocket. Five years after her divorce she met Max Malloran an archeologist, 15 years her junior. Their romance blossomed on the Orient Express. They were married 46 years.

By her death in 1976, Agatha Christie had become the first author after George Bernard Shaw and H.G. Wells to have a million paperback copies of her books published in one day. Worldwide sales of her books, translated into 103 languages, reached to half a billion copies, second only to the Bible.

Since then over two billion of her books have been sold, mostly mysteries, but also including her short stories, six romantic novels, a collection of poetry and an autobiography. This from a woman who shunned publicity, typed all her novels onto an old typewriter using three fingers, and who claimed to get most of her ideas taking a walk or eating an apple in the bath.

About Ten Little Indians

The name Ten Little Indians is reminiscent of a Victorian music hall song written in 1869 by Englishman Frank Green, who in turn adapted it from the American song Ten Little Indians written by Septimus Winner, published in 1869. The complete song is included in Chapter 2 of the novel.

The play Ten Little Indians was adapted for the stage by Agatha Christie from the original mystery, entitled Ten Little Niggers published in 1939 by a London publisher. In the United States, the book was published under the name And Then There Were None. Agatha Christie's stage adaptation opened in London in 1943, and at the Broadhurst Theatre in New York City on June 27, 1944. Over the years, the play has also been produced under the name And Then There Were None, and it even toured as a musical called Something's Afoot.


Acknowledgements

Produced with special permission from Samuel French, Inc.

The Fruit Store, Western Springs and Hinsdale, for providing apple cider at cost with free delivery.


The Theatre of Western Springs is saying farewell to Tony Vezner who has been Artistic Director for six years. He has directed dozens of fine plays, both Forum and Mainstage, within that time, and audiences as well as actors appreciated his sense of humor, energy and knowledge. As Tony goes forward to many wonderful challenges and experiences, the theatre offers him appreciation and gratitude for his time and energy at TWS and very best wishes for every success.

- The TWS Board of Governors


 

 

 

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Cast and Crew (Click for a larger view)

Production Credits

Director Tony Vezner
Assistant Director Judy DiVita
Technical Director Troy Lee Brasuell, Jr.
Stage Manager Judy DiVita
Assistant Stage Manager Jane Bowers
Costume Designer Linda Bremer
Costume Crew Peggy Carlson, Mary Dempsey, Sabina Nelson, Carmel Opre, Donna Sauers, Jane Stacy, Dorothy Tressler
Dramaturg Bonnie Hilton
Hospitality Chair Carol Clarke
Hospitality Crew Karen Arnold, Catherine Bloomer, Carole Borg, Ruth Cekal, Mary Clarke, Mike DeKovic, Bill Fanning, Terry Fanning, Mark Favoino, Bill FitzGerald, Iya Goshinsky, Bonnie Hilton, Lydia Hilton, Karen Holbert, Carol Hudson, Dennis Hudson, Angelee Favoino, Jo Jones, Bruce Larson, Lynn Larson, Cassandra Johnson Locke, Bill Love, Joyce Love, Nancy Martin, Debby Mills, Roxanne Moreno, Norma Naselli, Rick Pavia, Katie Pecis, Joe Petrolis, Matt Rafferty, Pat Rafferty, Pat Roeder, Irv Sarussi, Paulette Sarussi, Carol Suda, Gregg Valek, Susan Waldschmidt, Gini Welch
Lighting Designer Sue Kuehnhold
Lighting Crew Katie Pecis, Betsy Stiles
Makeup Designers Peg Callaghan, Ginny Richardson
Makeup Crew Stephanie Abramowitz, Linda Auer,
Karen Casey, Julie Knoch, Amanda Ragan,
Fred Sauers, Sara Torrey, Charron Traut

Properties Designers Darla Goudeau, Arlene Page
Properties Crew Linda Bugielski ,Peggy Carlson, Nick D'Asta, Lori D'Asta, Iya Goshchinsky, Sue Hannigan, Bonnie Hilton, James Pusztay, Matt Rafferty, Debbie Sampson, Liz Steele, Sue Turner,
Jackie Weiher

Set Construction Chair Mark Hewitt
Set Construction Crew Grace Abrahamson, John Allen, Anne Cahill, Joe Delaloye, Geroge Dempsey, Mike Huth, Heinz Karplus, Paul Roach, Bill Rotz, Fred Sauers, Peter Sonnenberg
Set Designer Jack Calvert
Set Dressing Mary O'Dowd
Set Painting Chairs Linda Lee Metz, Betsy Stiles
Set Painting Crew Grace Abrahamson, Lori D'Asta, Nick D'Asta,Stephanie Bullwinkel, Peggy Carlson, Carol Clarke,Tim Feeney, Tom Frohnapfel, Stacie Heintze, Jo Jones, Amanda Ragan, Bill Rotz, Debbie Sampson, Ben Schaefer, Rob Snyder, Sandy Squillo, Sue Turner, Alex Walczak
Sound Designer Bryon Abramowitz
Sound Crew Cassandra Johnson Locke, Betsy Stiles
Box Office Chair Mary Ellen Schutt
Box Office Crew Alison Burkhardt, Susan Cardamone, Kelli Kubick, Roxanne Moreno, Marilyn Wilson
House Manager Chair Bill Wilson
House Managers Jack Calvert, Susan Cardamone, Joe Delaloye, Mike DeKovic, George Dempsey Roland Imes, Mike Mallon
Front Row Center flyer Joe Petrolis
Group Sales Chair Ceri Hartnett
Poster Distribution Kathleen Kusper
Production Coordinator Karen Holbert
Program Advertising Cheri Campbell
Publicity Chair Bonnie Hilton
Program Editor Bonnie Hilton
Program Crew Alison Burkhardt, Cheri Campbell
Website Judy DiVita


Director Corner
by Tony Vezner

DIRECTOR'S CORNER

By Tony Vezner

"Farewells do not come easily for me. This one is particularly difficult. In the past six years I truly have enjoyed getting to know you. Entertaining you has been my pleasure. You have been an extraordinarily loyal audience and I will be ever grateful for the warmth with which you greeted me into this theatre and for the support you have shown both me and my family. Your letters of appreciation and words of encouragement made my work a labor of love and I will long remember your smiling faces and the rich sound of your laughter. You have been a discerning audience, letting me know when we hit the mark and when you expected more. On those occasions when you gave a standing ovation to a performance, I knew we had touched you in a special way and reached a new benchmark of quality. Your obvious appreciation made all my efforts worthwhile and that is what I will remember.
I wish the Theatre of Western Springs good fortune as it charts its new course and, with a heavy heart, I bid you all farewell."

The above text is taken, almost verbatim, from Ronn Toebaas' farewell to you in April of 1998. I use this because I find his sentiments and thoughts ring true for me as well.


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